Tag: Contemporary

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Leaf Music Distribution Presents VB8 Ensemble and Winter Magic

(Halifax/Kjipuktuk, NS) Leaf Music announces the distribution from Montreal’s acclaimed VB8 vocal ensemble. This recording are all being released on December 1.

VB8 (vocesboreales.org) has recorded its first CD, Winter Magic: A 21st Century Christmas (Magie d’hiver). Founded in 2006 and now under the leadership of Artistic Director Andrew Gray, Voces Boreales chamber choir has carved out an enviable position in the classical music world. In 2019, they created a new vocal octet, VB8, who’ve collaborated with artists like Quatuor Bozzini, BradyWorks and Karen Young. Their first album of songs for the festive season features almost all works written in the last 35 years, apart from two traditional French carols. The disc starts and ends with a favourite composer of the group, Arvo Part, and includes three Canadian composers: Elizabeth Ekholm, Louis Desjarlais and Benjamin Sigerson. The deliberate omission (for the most part) of traditional Christmas carols allows for year-round listening, yet is perfect for holiday traditions, a perfect backdrop to tree trimming or basking in the quietude of a Christmas morning. 

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. Leaf is also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.

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MEDIA CONTACT:  

For more information/photos or to arrange interviews please contact Peggy Walt,  peggy@leaf-music.ca (902) 422-5403 (office) or (902) 476-1096 (cell). 

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Leaf Music and Adam Zinatelli Present: Fifteen Feet Closer to the Sky

(Halifax/Kjipuktuk, NS) Leaf Music and trumpeter Adam Zinatelli are delighted to announce their forthcoming album Fifteen Feet Closer to the Sky, recorded in the Eckhardt-Gramatté Hall, University of Calgary, earlier in 2023. The recording consists entirely of premiere recordings of new works, some of which have not yet even had their first concert performance. All the music explores the composers’ inspiration in writing for the trumpet as a solo instrument, with its unsurpassed vast and varied expressive range.

Adam Zinatelli is Principal Trumpet of the Calgary Philharmonic Orchestra and has performed as guest Principal Trumpet with the National Arts Centre Orchestra and Les Violons du Roy. He studied at the Glenn Gould School with Andrew McDandless and the Cleveland Institute of Music with Michael Sachs. Adam is a Yamaha Artist.

The recording features a stellar group of musicians, including timpanist Alexander Cohen, fellow trumpeters Aaron Hodgson and Miranda Cairns and pianist Akiko Tominaga. Composers include Gabriel Dharmoo, Tobin Stokes, Jeffrey Ryan, Eric Nathan, David John Lang, Claude Lapalme, Dorothy Chang, and Karen Donnelly. Chang’s All that glitters was commissioned specifically for the recording and possible through funding from the Canada Council for the Arts. Funding for the project was also provided by the Alberta Foundation for the Arts.

The recording features many styles of music for trumpet, including virtuosic writing in Tarantella dell’Ubriaco by Claude Lapalme, a “romp” showcasing the cornet at its agile and articulate best. Other pieces were written during COVID lockdowns, including Karen Donnelly’s Fanfare for the Backyard Birdfeeder (2020), utilizing the trumpet to imitate birds.

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. Leaf is also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.

 

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MEDIA CONTACT:  

For more information/photos or to arrange interviews, please contact Peggy Walt,  peggy@leaf-music.ca (902) 422-5403 (office) or (902) 476-1096 (cell). 

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Leaf Music and Gillian Smith Present: En Route

(Halifax/Kjipuktuk, NS) Canadian violinist, Gillian Smith is releasing her latest recording, En Route. The album features five new works for solo violin by Canadian composers Carmen Braden, Amy Brandon, Derek Charke, Corie Rose Soumah and Hsiu-Ping Patrick Wu. It will be released in a digital version on November 3 on the Leaf Music label. A free release concert will be held on Thursday, November 2 at 7:00 p.m. at the new Joseph Strug Concert Hall, Dalhousie Arts Centre.  

The concept for these pieces was the idea of voices: voices being heard for the first time; voices being heard in new ways and voices interacting in new ways. Each of the composers approached this concept in a unique way and featured the violin in a particular light. Two pieces ask the performer to vocalize in addition to playing the violin. For example, in Tree Talk, Carmen Braden asks the performer to converse with their violin, in fact with the tree whose wood became the violin. Corie Rose Soumah asks the performer to vocalize to add sound colours to the music. 

The title track, EN ROUTE, was composed by Hsiu-Ping Patrick Wu, who says the piece is about his Taiwanese heritage and his journey to Canada: “It’s a piece about my nostalgia, homecoming, resilience and determination.” The piece quotes Nova Scotian folk songs and a variation of the traditional Taiwanese hit song, Bang-Chun Feng. Patrick also created the artwork used on the cover of the digital booklet; an acrylic painting titled EN ROUTE.

Amy Brandon’s Dualisms shows the contrasting voices of the violin – one timbral and one more traditional, intended to give a feeling of unease or disorientation. Nebula Variations by Derek Charke is a large-scale improvisation in four movements, a work that plays on space and time, fantasia, counterpoint and virtuosity.

Gillian Smith is an enthusiastic advocate for new music, releasing her debut solo album, Into the Stone on Leaf Music in 2019. The album was nominated for the 2020 Classical Recording of the Year by the ECMA and was described by The WholeNote’s David Olds as “a stunning debut album by a rising star.” She’s also recorded with members of the Acadia New Music Society on the Centrediscs label and performed on Songs of the Invisible Summer Stars, chamber music by Carmen Braden (Centrediscs, 2019). That album was nominated for the 2020 ECMA for Classical Recording of the Year.

Gillian’s solo and chamber music recordings have been broadcast on radio on stations across Canada and in the U.S. and the U.K., and she performs in recital and as a chamber musician in series and festivals such as Open Waters, Shattering the Silence, Musique Royale, Music Room Chamber Players, and others. To learn more, please visit www.gilliansmithviolin.com.

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.

We acknowledge the support of the Canada Council for the Arts in the presentation of this project.

 

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MEDIA CONTACT:  

For more information/photos or to arrange interviews please contact Peggy Walt,  peggy@leaf-music.ca (902) 422-5403 (office) or (902) 476-1096 (cell). 

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Leaf Music and Luminos Ensemble Present: In the Crystalline Vault of Heaven

(Halifax/Kjipuktuk, NS) PEI’s professional choral ensemble, Luminos Ensemble has released its latest recording, In the Crystalline Vault of Heaven. The 16-member group, under the artistic direction of Dr. Margot Rejskind recorded the album of music by Atlantic Canadian composers at St. Paul’s Roman Catholic Church, Sturgeon, PEI, in May of 2022. It will be released in physical and digital versions on October 27 on the Leaf Music label.  

The album features a stellar lineup of all-Atlantic Canadian composers: Atlantic String Machine’s Adam Hill, EKR (Evan) Hammell, Emily Doolittle, Terry Pratt, Derek Charke, Peter Togni, Kathleen Allan and David Buley. 

The evocative title track, In the Crystalline Vault of Heaven, was composed by Nova Scotian Derek Charke. “We wanted an album that reflected the diversity and breadth of choral music being written on the east coast,” said director Margot Rejskind. “We’re showcasing composers like Adam, Emily and Evan, who all wrote these new works for us.” 

Luminos Ensemble is a Charlottetown-based professional choir of trained vocal soloists that formed in 2017. The group received a nomination from the East Coast Music Awards in the inaugural Best Choral Recording of the Year category in 2023 for their single, I am an Island That Dreams by David Buley. They thank the Canada Council for the Arts for their support of this project. To learn more, please visit LuminosEnsemble.com. 

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.

 

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MEDIA CONTACT:  

For more information/photos or to arrange interviews please contact Peggy Walt,  peggy@leaf-music.ca (902) 422-5403 (office) or (902) 476-1096 (cell). 

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SHHH!! Ensemble and Leaf Music Present “An Auditory Survey of the Last Days of the Holocene” 

SHHH!!… a powerful utterance designed to draw attention forward… creating space and awareness… opening ears to something important.  

(Halifax/Kjipuktuk, NS) An Auditory Survey of the Last Days of the Holocene presents a radical catalogue of our created world’s sounds as a continuous multimovement work for piano, percussion, and fixed electronics. Composed by Frank Horvat for Ottawa’s innovative SHHH!! Ensemble, this work illustrates the current state of pollution and destruction by employing over 150 different audio samples indicative of the climate crisis. The musical score augments and interacts with this soundscape, using a broad range of percussion instruments and piano. The “Holocene” is the current geological epoch, which began approximately 9,700 years before the Common Era (BCE), following the Last Glacial Period.  

 An Auditory Survey was conceptualized during two week-long creative retreats at Port William Sound in Mountain Grove, Ontario. Nestled in an unassuming cabin and adjacent studio, the musicians worked with composer Frank Horvat, each track the result of extensive experimentation and an uncompromising search to create something compelling and real: “As nature lovers and artists we are conscious of humanity’s impact on the environment, and until this project we had been searching for a way to effect meaningful reflection on this issue that we care so deeply about. Collaborating with Frank and working on An Auditory Survey of the Last Days of the Holocene has been a powerful way for us to consider our shared responsibilities and explore our place on Earth,” the Ensemble said. 

Percussionist Zac Pulak and pianist Edana Higham comprise the SHHH!! Ensemble, a duo carving a space for themselves as electrifying performers of new music. With a keen ear for experimentation and exploration, SHHH!! has been deemed “truly virtuosic and intense” by Toronto’s Confluence Concerts and “a beautiful discovery” following their debut with the Société de musique contemporaine du Québec. Formed in 2017, SHHH!! Ensemble began developing their signature “avant-accessible” style through residencies at the Banff Centre for Arts and Creativity and the Canadian Music Centre. Since then, SHHH!! has continued to develop innovative repertoire for their ensemble commissioning and premiering new works by Kelly-Marie Murphy, John Beckwith, Jocelyn Morlock, Monica Pearce, Harry Stafylakis, and Noora Nakhaei, among others.  They are also artistic director of the Ottawa New Music Creators. 

SHHH!! Ensemble’s creativity and vitality were especially notable through the pandemic, with one critic commenting, “This virtuoso duo are so agile and inventive… I doubt anything short of a geological cataclysm will shut them down” (The WholeNote). Major highlights in 2020–2022 include the duo’s acceptance into the prestigious Evolution: Classical career development residency at the Banff Centre, a National Arts Centre #CanadaPerforms concert, the world premiere of JUNO-winning composer Jocelyn Morlock’s Spirit Gradient with the Tuckamore Chamber Music Festival in Newfoundland, and a nationally broadcast recital on the CBC Music program In Concert.   

SHHH!! Ensemble’s debut album Meanwhile (Analekta) was released to critical acclaim, reaching top positions on Apple Music and Spotify playlists, and nominated for 2023 Classical Recording of the Year at the East Coast Music Awards. The title track Meanwhile, by composer John Beckwith, was the first piece written for SHHH!!.  

Frank Horvat is “one of the most inventive songwriters to come out of the contemporary scene in Canada” (The WholeNote). As a pianist and multigenre composer “he has made the tricky musical leap that allows him to pursue a niche of his own” (Edmonton Journal). Frank explores a wide array of themes in his music, from love to the environment, mental health, and social justice issues. His works have been featured on over twenty albums on ATMA Classique, Really Records, and Centrediscs. With composition premieres on four continents, his music has been showcased internationally in theatre, feature films, and on radio/TV networks, including BBC Radio 3, Bravo, CBC, CBS, Discovery, HBO, and Vice, and featured in publications such Gramophone, The Strad, BBC Music Magazine, Toronto Star, and Vancouver Sun.  Frank’s 2021 album Music for Self-Isolation was listed in the “Top 5 Classical Albums of the Year” by CBC Classical, and his other 2021 album, Project Dovetail, was included in CBC Music’s “Must-Hear Fall Albums.”  Frank has been a panelist at the Classical:NEXT conference speaking on the topic of “artivism” and was featured in Chris Gunness’s UK Classical Magazine podcast.   

Born in Ottawa, and a University of Toronto graduate under Christos Hatzis, Frank lives and composes by the lake in Toronto with his wife, who is also his manager. Frank is a Canadian Music Centre Associate Composer and the inaugural recipient of the Kathleen McMorrow Music Award for contemporary composition.   

Recorded at Domaine Forget de Charlevoix, An Auditory Survey of the Last Days of the Holocene will be released on October 20, 2023, on all platforms. SHHH!! Ensemble thanks the Canada Council for the Arts and the Ontario Arts Council for their support of this project.  

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.  

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MEDIA CONTACT:  

For more information/photos or to arrange interviews please contact Peggy Walt,  peggy@leaf-music.ca (902) 422-5403 (office) or (902) 476-1096 (cell).

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Leaf Music and ICOT Present: “Recurrence”

(Halifax/Kjipuktuk, NS) Leaf Music and ICOT (formerly known as The Iranian Canadian Composers of Toronto) are delighted to announce their forthcoming album Recurrence, recorded in May at Humbercrest United Church in Toronto.

Recurrence had its genesis at the beginning of the pandemic, when the notion of repetition assumed a novel and unsettling meaning for many people. The album explores the idea of repetition through different iterations in the natural and artificial worlds. In five new, far-reaching compositions, the concept of repetition and its consequences are teased apart in myriad ways through the unique lens of each composer; some took to ecology, some to politics, and one was inspired by the late fashion designer, Alexander McQueen. The result is five exceptional artistic works, each unique in its aesthetic and sonic exploration into the vortex of repetition. Shahi’s Eroded imagines musically the cycle of coastal erosion, while Kayan Emami has created a musical reflection of a young Iranian boy and his boat in Kian in Rainbows, (also paying homage to recently deceased composer, Jocelyn Morlock). Maziar Heidari’s piece, Arrays, alludes to the beauty and potential in mathematics and music of recurrence. 

Speaking about the album, ICOT executive director and composer Saman Shahi says, “Recurrence is one of ICOT’s most ambitious projects in scale and concept. Some of Canada’s best and brightest composers and performers are paired with a powerful core concept: how much of our human experience is shaped by patterns, cycles, and routines. Humans find meaning, comfort, dread, fear, and expression in repetition be it in our memories, our daily lives, the politics we witness, the traumas we face, or the nature we behold; this is what this album is trying to investigate and probe.” 

Recurrence features the compositions of renowned composers Maziar Heidari (also a conductor), Saman Shahi (also a pianist), Keyan Emami, Jordan Nobles, and Nicole Lizée and will be available everywhere on October 13. The project was funded by the Canada Council for the Arts, Ontario Arts Council and FACTOR. 

The recording features a stellar group of Canada’s finest musicians, including the New Orford String Quartet (Jonathan Crow (violin), Andrew Wan (violin), Sharon Wei (viola) and Brian Charles Manker (cello); Scott Peterson (double/electric bass); Leslie Allt (flute); Peter Stoll (clarinet); Beverly Johnson and Ryan Scott (percussion). 

ICOT (icot.ca) is a non-profit arts organization founded in 2011 by five Toronto-based composers and musicians with the mission of creating new works that bridge Canadian and Iranian culture through music and art. ICOT’s current members are Saman Shahi (executive director), Keyan Emami (artistic director), and Maziar Heidari (music director). ICOT has produced two operas, two ballets, twelve orchestral works, dozens of chambers and vocal works, and three calls for scores that allowed ICOT to collaborate with over twenty composers from eight different countries. ICOT’s music has been performed by Cathedral Bluffs Symphony Orchestra, Symphony on the Bay, Soundstreams, and Ton Beau String Quartet and they’ve taken part in Toronto Symphony’s 2022 Open House, Tirgan Festival, 2017 Ottawa Chamberfest, and Hamilton Philharmonic’s 2014 “What Next” Festival. ICOT’s first commercial recording, Persian Piano Night, was released in 2018 by Pardis Records.  

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.  

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For media only: 

Icot.ca 

For more information/photos or to arrange interviews please contact Peggy Walt, peggy@leaf-music.ca  (902) 422-5403 (office) or (902) 476-1096 (cell). 

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Leaf Music & Essential Opera Present: “Etiquette”

(Halifax/Kjipuktuk, NS) Composer Monica Pearce’s one-act opera Etiquette is being released by Leaf Music and Essential Opera. The twenty-one minute work features three influential 1920s women: author, critic and satirist Dorothy Parker (known for her wit and wisecracks), author and socialite Emily Post, and American-born British politician Nancy Astor. Etiquette in Society, in Business, in politics, and At Home (the book by Emily Post) was published in 1922, noting the importance of etiquette in all aspects of life: “Consideration for the rights and feelings of others is not merely a rule for behavior in public but the very foundation upon which social life is built.” When reviewing the work, however, Parker observed that, “Those who have mastered etiquette seem to arrive at exquisite dullness.” 

Commissioned by Essential Opera, this world-premiere recording was made possible with support from the Canada Council for the Arts and Arts Nova Scotia. The album was recorded at St. Andrew’s United Church in Halifax. A stylish short film is also being released in the coming months.  

Monica Pearce composed the music, and the librettist is John Terauds. The recording features sopranos Maureen Batt and Erin Bardua, Mezzo-soprano Lucy Hayes Davis, pianist Tara Scott, and clarinetist Brad Reid. 

Essential Opera’s recent productions include short opera films by Canadian women composers. Founded in 2010 in Toronto by Erin Bardua and Maureen Batt, the company has commissioned many new works, receiving support from SOCAN, Ontario Arts Council, Arts Nova Scotia, and The Canada Council for the Arts. Their mission is to give audiences opportunities to experience opera at its most essential, with a dynamic and evolving definition of what is essential. 

Monica Pearce is a Canadian composer specializing in opera, chamber music and everything toy-piano-related. After completing her Bachelor of Music at Mount Allison University with a focus on piano and composition, Monica has a Master of Music in Composition from the University of Toronto and co-founded emerging composer collective, the Toy Piano Composers, with Chris Thornborrow. Her compositions have been performed and commissioned by many leading ensembles. She won the Harry Freedman Award for her harpsichord work toile de jouy and was nominated for Classical Composer of the Year by the 2022 East Coast Music Awards for Maureen Batt’s recording of Aunt Helen. In 2022 she released her debut album Textile Fantasies, a multi-work piece including eight works inspired by textiles and patterns. Called “vivid,” “pleasantly intricate,” “imaginative and meaningful,” by reviewers, this recording features performances by keyboardists Cheryl Duvall, Wesley Chen, Barbara Pritchard, and Joseph Ferretti, tabla player Shawn Mativetsky, and renowned ensembles TorQ Percussion and SHHH!! Ensemble. Monica is active as a librettist and worked with composer Cecilia Livingston on the Dora-nominated opera on the life of Anne Frank entitled Singing Only Softly.  

essentialopera.com 

MEDIA CONTACT:  

For more information/photos or to arrange interviews, please contact Peggy Walt,  peggy@leaf-music.ca (902) 422-5403 (office) or (902) 476-1096 (cell).

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Leaf Music & Tutta Musica Orchestra Present: “Ovation”

Ovation

(Halifax/Kjipuktuk, NS) Two years into Covid-19, New Brunswick’s Tutta Musica Orchestra celebrated everyday heroes of the pandemic, presenting six concerts in various New Brunswick communities. Each concert included a newly commissioned musical piece by Vancouver composer Jaelem Bhate, using themes of courage, resilience, and community. Now the orchestra brings these works to a wider audience through their soon-to-be-released recording, Ovation, on the Leaf Music label. 

Tutta Musica consists of sixty musicians who are the Teaching Artists of Sistema New Brunswick, a highly successful program of the New Brunswick Youth Orchestra. The musicians are graduates of some of the finest university and conservatory music programs in North and South America. They strive to make live music more accessible, more engaging, and more relevant to more people throughout the region. Working in many genres from rock and roll to Acadian music to opera, Tutta Musica collaborates with artist in creative writing, comedy, theatre, and dance, creating original content which features New Brunswick themes, culture, and people. The ensemble is conducted by 

Maestro Antonio Delgado, who is also Musical Director of the New Brunswick Youth Orchestra and of Sistema NB. 

The two major works on this recording are Manuel de Falla’s Three-Cornered Hat, Suite No. 2 and Jaelem Bhate’s contemporary work, Ovation. This new piece was composed in just seven weeks, consisting of three aptly named movements: i. Courage, ii. Resilience and iii. Community. The melodies and harmonies of these movements are generated by the same chord construction (a C minor 11 tetrachord) in which the intervals between notes are those of fourths). The effect is strongly allusive to the subject of Covid. To quote the composer: “It was difficult to find a balance between triumph and sorry…I wanted to write something that we could all relate to, despite the sometimes-intense feeling surrounding how Covid was handled by different entities. All three movement speak to some of the base human emotions I think we all felt through the past two and a half years, no matter our politics or beliefs.” 

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.

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Tutta Musica Orchestra – Ovation

Release Date: September 22, 2023  
Physical/Digital Release 

For more visit:  www.leaf-music.ca/lm289b

MEDIA CONTACT:  
For more information/photos or to arrange interviews, please contact 
Nivie Singh at nivie@leaf-music.ca

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Leaf Music, Frédéric Lambert, and Ali Kian Yazdanfar Present: “Iridescence”

Iridescence

Frédéric Lambert and Ali Kian Yazdanfar are thrilled to present Iridescence, their first record on Leaf Music set to be released on June 23, 2023. Recorded at Le Domaine forget de Charlevoix in Saint-Irénée, Québec, Iridescence is an opportunity to not only consider colours and details often hidden from view, but also to imagine how a change in perspective can lead to striking flashes of brilliance. Opening a window onto a world of prismatic possibility and potential, violist Frédéric Lambert and double bassist Ali Kian Yazdanfar lead the listener through five works that extend across genre and form, creating a listening experience that is as varied as it is reflective.  

The first piece, “Fisherstreet Duo”, was written by Evan Chambers as an homage to the tiny village of Doolin, Ireland, which is now a hub for lovers of traditional music from all over the world. “Thème varié” (1976), by Jean Françaix, is a virtuosic showpiece, intended to display the full tonal and technical range of the double bass. “Duo for Viola and Double Bass” (2010), by Gareth Wood introduces a personal dimension to the album. The piece was written expressly for Ali Kian Yazdanfar, and is intended as an arena in which the two performers can demonstrate their chemistry together. In manus tuas is based on a sixteenth-century motet by Thomas Tallis. While there are only a few slices of the piece that reflect exact harmonic changes in Tallis’s setting, the motion (or lack thereof) is intended to capture the sensation of a single moment of hearing the motet in the particular and remarkable space of Christ Church in New Haven, Connecticut. The final piece, Escenas del Sur (2008), by Efraín Oscher, is a tribute to the survivors of the dictators that ruled over 1960s South America. 

Speaking on the inspiration for the album, the duo says, “Iridescence is a chance for the public to consider the viola and double bass in a new light.  The rich and textured sound of each of these two instruments is perfectly suited to each other, and the character and sonority give a different perspective which colours the emotions evoked in the listener.” 

“As Iridescence exhibits a large range of contrasts – drama and lightheartedness, tension and bliss, tradition and modernity, we believe the unique choice of pieces holds a special relevance to the listeners of today. Our goal has always been that Iridescence might enrich the lives of those listening.  Whether through the hint of new perspectives and possibilities, a reminder of previous times, or just a thorough appreciation of the present, we hope this recording can foster a greater awareness and understanding of ourselves and the world around us.” 

One of the most prominent double bassists of his generation, Ali Kian Yazdanfar maintains an active career not only as principal double bass of the Orchestre Symphonique de Montréal, but also as a soloist, chamber musician, and pedagogue. Although he started playing the bass at seven years old, he didn’t take the usual music-school route to becoming a professional. In fact, his science and mathematics background led to a physics degree from Johns Hopkins University, and, directly upon graduating, he won his first audition to become a member of the Houston Symphony. He went on to win his next three auditions, for the National Symphony in Washington, D.C., for principal bass with the San Francisco Symphony, and for principal bass with the Orchestre Symphonique de Montréal, where he currently plays. 

Taking inspiration from his Iranian roots, he has commissioned and performed many new works for solo double bass. Recent highlights include the world premiere in 2018 of a new bass concerto by Behzad Ranjbaran, as well as a 2023 program centred around three new works for double bass and piano by Iranian composers that explore the complex experiences of those with roots in multiple cultures. 

Ali is also an associate professor at the Schulich School of Music at McGill University, and his former students hold posts in major orchestras of Canada, the United States, and Europe. He also presents master classes during the summer at Orford Music in the Eastern Townships, Quebec. In addition, he regularly appears at or has been on the faculty of festivals such as the National Orchestral Institute, the National Youth Orchestra of the United States (NYOUSA), Le Domaine Forget, the Chautauqua Institute, and Bass Club (England). He is often invited to give master classes worldwide; some appearances include the Juilliard School, the New World Symphony, the Manhattan School of Music, the Curtis Institute, the Sydney Conservatorium, the Chicago Civic Orchestra, the University of Southern California, the Peabody Institute, and Bass Europe congresses in Prague and Copenhagen. 

Frédéric Lambert has a doctorate in viola performance from McGill University, where his advisor was André Roy. His further development as a performer led him to play for masters such as Robert Vernon, James Dunham, Steven Dann, Bruno Pasquier, Régis Pasquier, and Ani Kavafian. He is regularly invited to join eminent ensembles such as Les Violons du Roy, the Société de musique contemporaine du Québec, and the Orchestre Symphonique de Montréal. Frédéric is a founding member of the Lloyd Carr-Harris String Quartet. In 2005, the quartet triumphed at the Fischoff National Chamber Music Competition, winning not only the Gold Medal in the Senior String Division, but also the Grand Prize. The quartet then played several concerts in France, England, Italy, the United States, Australia, and Canada. 

Mr. Lambert joined the Molinari Quartet in 2007. The quartet has given itself the mandate to perform twentieth- and twenty-first-century repertoire for string quartet; to commission new works; and to initiate discussions between musicians, artists, and the public. A recipient of twenty-four Opus Prizes awarded by the Conseil québécois de la musique for musical excellence on the Quebec concert stage, the Molinari Quartet has been described by the critics as an “essential” and “prodigious” ensemble and even “Canada’s answer to the Kronos or Arditti Quartet.” The Molinari Quartet has established itself as one of Canada’s leading string quartets. Its recordings on the ATMA Classique label have received unanimous international critical acclaim, including being selected two times as Editors’ Choice in Gramophone magazine and rave reviews in The Strad, Fanfare, and Diapason, among others. Its recording of the complete György Kurtág quartets received a Diapason d’or in December 2016 and a prestigious Echo Klassik award in July 2017. 

Frédéric is passionate about teaching. He is a lecturer for the Schulich School of Music at McGill University and teaches violin and viola at Université du Québec à Montréal. For more than a decade, he was a cultural columnist for Ici Radio-Canada Première, along with Catherine Perrin and Stéphan Bureau. In January 2022, he launched his podcast, La prescription avec Dr Fred Lambert, a weekly cultural program that is available on all platforms. Frédéric Lambert is the principal violist in the Orchestre Symphonique de Laval. 

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Frédéric Lambert and Ali Kian Yazdanfar 

Release Date: June 23, 2023 

Physical/Digital Release 

leaf-music.ca 

MEDIA CONTACT: Andrew Brown | andrew@leaf-music.ca 

Iridescence 

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Leaf Music & Charles Hamann Present: “Canadian Scenes”

Charles “Chip” Hamann is thrilled to present Canadian Scenes, his second solo record with pianist Frédéric Lacroix and their first record with Leaf Music. Recorded over four days at the Isabel Bader Centre for Performing Arts in Kingston, ON, Canadian Scenes is comprised of five works commissioned works between 2009 and 2022 and features a broad array of compositional flavours and styles. Intent on creating new repertoire for oboe and piano, Hamann recruited some of his favourite composers to provide pieces for Canadian Scenes, whose contributions helped the record become a sweeping sketch of Canadian compositional talent and identity.   

Hamann encouraged his composers to draw on Canada’s natural landscapes for inspiration as they began writing their pieces. Harnessing their unique connections to nature and filtering it through the Canadian lens has produced five works that are at once deeply personal and nationally collective. The works featured on this album also reverberate differently when listened to in a post-Covid world. Themes of isolation, loneliness, and grief are heard seeping through the lines. 

Speaking on what “Canadian Scenes” represents to Hamann as an artist, he says, “I am thrilled to present five incredible new oboe pieces inspired by Canada and nature. Each work reflects the challenges of life during the time of the Covid pandemic filtered through five vibrant and unique compositional voices. These works are destined to enrich the canon of oboe recital repertoire and reflect a moment when solo and small chamber works took on outsize importance for all musicians.”  

“Having approached each composer myself to create a new work over the span of a few years, my wish is that these new pieces will resonate broadly, and eventually be featured in concerts, recitals, and competitions in Canada and abroad—the classics of tomorrow. I hope listeners will be emotionally touched by the music and think about their relationships to nature, art, and life in Canada in the 21stCentury.”  

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Heralded for the “exquisite liquid quality” of his solo playing (Gramophone), Charles “Chip” Hamann was appointed to the principal oboe chair of Canada’s National Arts Centre Orchestra in 1993 at the age of 22. Mr. Hamann has also served as guest principal oboe with the Chicago Symphony Orchestra, London’s Royal Philharmonic Orchestra, the Vancouver Symphony Orchestra, and Quebec’s Les Violons du Roy.  

Mr. Hamann’s solo debut album, the double CD collection Canadian Works for Oboe and Piano with pianist Frédéric Lacroix, was released in 2017 on the Centrediscs label and his playing was lauded for “well-rounded tone, sensitive phrasing and…breathtaking sustained tones” (The Whole Note) and “exquisite musicianship.”(The Double Reed) He and Mr. Lacroix have presented solo recitals across Canada and the United States and both teach at the University of Ottawa School of Music, where they have collaborated closely together with the oboe studio for many years. Mr. Hamann has commissioned numerous solo works from leading Canadian composers and continues to champion new repertoire. 
 

With the NAC Wind Quintet, Charles Hamann’s performances of music for wind instruments by Camille Saint-Saëns with pianist Stéphane Lemelin for the Naxos label, including the op. 166 Oboe Sonata, won Gramophone Magazine’s Editor’s Choice award in 2011. Mr. Hamann was also featured in J.S. Bach’s Concerto for violin and oboe BWV 1060 with Pinchas Zukerman on NACO’s 2016 Baroque Treasury album for Analekta that earned him praise as a “superb colleague” (Gramophone) and for “a gorgeous, expressive sound.” (Ludwig van Toronto) 
 

Charles Hamann has appeared as concerto soloist with Les Violons du Roy, the Alberta Baroque Ensemble, Lincoln’s Symphony Orchestra in Nebraska, the Yamagata Symphony Orchestra, and Ottawa’s Thirteen Strings. He has appeared many times with NACO, both in Ottawa and on tour, in major concertos including Bach, Mozart, Strauss, and Vaughan-Williams. 

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Charles Hamann ~ Canadian Scenes 

Release Date: June 9, 2023 

Digital Release 

leaf-music.ca 

MEDIA CONTACT: Andrew Brown | andrew@leaf-music.ca