Posted on Leave a comment

Charke Cormier Duo Releases “Bathymetric Terrains”


(HalifaxNS) Nova Scotia Duo Release Bathymetric Terrains
 
Nova Scotia’s 
Charke-Cormier Duo releases its latest recording, Bathymetric Terrains, at The Music Room on Saturday, February 15 at 2:00 p.m.   The album, on the Leaf Music label, is available February 14 and is distributed by Naxos of America.  Bathymetric Terrains muses on the ecology of oceans and tidal bays; bathymetry is the measurement of water depths.
 
Derek Charke (flutes) and Eugene Cormier (guitar) formed the Charke-Cormier Duo in 2014, releasing their debut recording, Ex Tempore, in 2018.  The album was nominated for the 2019 ECMA Award for Classical Album of the Year, and the composition Ex Tempore won the 2019 ECMA award for Classical Composition of the Year. The Whole Note magazine called the album “a fabulous debut!” The duo publishes their music under the Charke-Cormier Duo Collection with Doberman-Yppan in Québec. Both performers are highly accomplished musicians who are on the faculty of Acadia University’s School of Music.  
 
Canadian Music Centre Associate Composer 
Derek Charke (www.charke.com) is a JUNO and ECMA award-winning composer and flutist.  His music is eclectic – often defying categorization due to wide-ranging influences.  Dr. Charke is a professor of music at Acadia University Wolfville, where he teaches composition and music theory.  He also heads AEMS, the Acadian Electroacoustic Music Studio.   
 
Dr. Charke can see the fragile ecosystem of The Minas Basin from his home in Nova Scotia’s Annapolis Valley, including the seabed that is exposed when the tide is out twice daily: “For a while now I’ve wanted to compose something about these hidden landscapes.  The composition includes multiple flute, guitar, and voice parts.  The solo parts are performed live while the backing tracks, processing, and soundscapes are projected through speakers.  For live performances, a video of various seascapes from around Nova scotia is projected on a screen.”

See a trailer video here:  


 
The album was produced, engineered and mastered at Derek Charke’s studio in Wolfville, NS and at AEMS, the Acadian Electroacoustic Music Studio (sponsored by CFI-JELF, and the NS Research and Innovation Trust), with additional mastering by Jeremy VanSlyke.  
 
This project is funded in part by Arts Nova Scotia and Acadia University.
 
This project is funded in part by FACTOR, the Government of Canada and Canada’s private radio broadcasters. Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada.

FOR BROADCAST USE:

Nova Scotia’s Charke-Cormier Duo is releasing a new album, Bathymetric Terrains, at The Music Room on February 15 at 2:00 p.m.  This recording features flutes and guitar, and relates to the fragile ecosystems of the Minas Basin.  Bathymetry is the measurement of water depths.

The CD features music written for the Duo by composer Derek Charke, who is a professor of music at Acadia University.  In seven movements, the music references flowing water, the various levels of the ocean and explores the imagery of the ocean through rhythm and melody.

That’s the Charke-Cormier Duo, launching their new recording, Bathymetric Terrains at the Music Room on Saturday, February 15 at 2:00 p.m.  The event is free and all are welcome.

Posted on Leave a comment

Duo Kalysta Release Debut Album ‘Origins’

Leaf Music is proud to present Origins, the debut album from Duo Kalysta, the acclaimed flute and harp duo comprised of Lara Deutsch and Emily Belvedere. Origins, featuring entrancing music – both familiar and new – by Canadian and French composers, will be released on September 6, 2019 and celebrated in album launch events in Toronto (September 9), Ottawa (September 22), and in Montreal (September 23).

Belvedere, praised for her “crystalline technique” (MusicWeb International) and Deutsch, who reveals “new worlds of colour and meaning in every single note” (CBC Music) met at McGill University in Montreal, where they performed Mozart’s Concerto for Flute and Harp under the baton of Alexis Hauser. “Origins” refers to their return to Montreal to record the album and to their beginnings as a chamber ensemble. Given the album’s Canadian and French repertoire, the title also alludes to the musicians’ Canadian heritage, as well as the heritage of their instruments, which were greatly impacted by French musical traditions. Gaining attention nationwide as a young duo with an exceptional musical connection, Duo Kalysta’s recording projects include a series of music videos for Mécénat Musica Vidéoclips. Following a recent performance by Duo Kalysta in Montreal, Les ArtsZé commented that that the audience enjoyed “the technical breadth of the two virtuosos … revealing a great richness.”

Origins features Claude Debussy’s beloved Prélude à l’après-midi d’un faune, with its famous, dreamy flute solo, in an intimate arrangement by harpist Judy Loman. Jocelyn Morlock’s Vespertine (2005) utilizes extended techniques to conjure night-blossoming plants and nocturnally-active creatures. Violist Marina Thibeault joins the duo for R. Murray Schafer’s impressionistic Trio for Flute, Viola, and Harp (2011), in which the grounding nature of the viola, the willowy harmonies of the harp, and the fluid motion of the flute combine in an enthralling harmonic atmosphere. Finally, Duo Kalysta is joined by Thibeault, as well violinist Alexander Read and cellist Carmen Bruno, for André Jolivet’s Chant de Linos (1944), evoking Greek timbres in this visceral, spiritual work, dedicated to Linus, the musician son of Apollo.

Named one of 2015’s “Hot 30 Under 30 Canadian Classical Musicians” by CBC Music, flutist Lara Deutsch is a versatile soloist, orchestral, and chamber musician with a passion for connecting with audiences. Lara was a first prize winner of the Orchestre symphonique de Montréal’s 2014 Manulife Competition, at which she was awarded a total of seven prizes, including the Stingray Music Audience Award. She was the Grand Prize Winner of both the National Arts Centre Orchestra Bursary Competition (2014) and the Canadian Music Competition (2010), as well as a laureate of the Concours Prix d’Europe (2016). Lara also offers Performance Psychology Workshops, sharing the skills in optimizing performance that she has learned from her work with renowned Olympic performance psychologist, Jean-François Ménard.

Recipient of the Hnatyshyn Foundation Classical Music Grant for Orchestral Instruments, harpist Emily Belvedere has been praised for her “ease in merging lyrical and dissonant sounds” (MusicWeb International). Emily’s many awards include third prize at the American Harp Society’s 18th National Competition in Salt Lake City, Utah. Emily won the 2013 McGill Classical Concerto Competition as well as the prize for best performance of a Canadian work in the 2013 OSM Standard Life Competition in Montreal. An avid chamber musician, Emily was also a prizewinner in the Glenn Gould School Chamber Music Competition at the Royal Conservatory of Music in Toronto.

leaf-music.ca duokalysta.com

This project is funded in part by FACTOR, the government of Canada and Canada’s private radio broadcasters.

Ce projet est financé en partie par FACTOR, le gouvernement du Canada et les radiodiffuseurs privés du Canada.

We acknowledge the support of the Canada Council for the Arts.

Nous remercions le Conseil des Arts du Canada de son soutien.