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Leaf Music & City Opera Vancouver Present: “Chinatown”

(KJIPUKTUK) Alice Ping Yee Ho, City Opera Vancouver, and Leaf Music are proud to present Chinatown, a sweeping opera that tells the collective story of thousands of Chinese immigrants who left their homeland between the mid-nineteenth and twentieth centuries in search of a better life for them and their families. The first opera in Hoisanese and English and the first to fuse authentic Chinese folk dialects and cultures into the world of English opera, Ho’s Chinatown is a tribute to the legacy of the people who toiled under the promise of prosperity, and instead received abuse and hardship. 

Chinatown revolves around the intertwining lives of Saihin and Xon Pon, two young men from  Hoisan county in South China who have come to Canada in search of prosperity. We follow their story as they meet, work together, endure hardships and have families of their own. A collaboration between composer Alice Ping Yee Ho, librettist Madeleine Thien, and Hoisanese translator Paul Yee, Chinatown brings together decades of lived experience from thousands of Chinese immigrants in an intimate and emotionally arresting musical and dramatic soundscape. 

Ho says the opera is intended to be an artistic depiction of the realities facing early 20th century Chinese newcomers. “This album represents an important work that tells the stories and experiences of early Chinese immigrants. It’s clear by the standing ovations and positive reviews that the opera Chinatown is a beautiful and moving story of racism, resilience, and family.  I hope this album will inspire the audience the same way as it was imagined in the theatre – the experience of an epic journey of music and drama, both heart-wrenching and heart-warming.” 

Founding artistic director, Dr. Charles Barber says, “We conceived the idea for CHINATOWN in mid-2017. It was approved and budgeted by the Board, and so began its development. We spent a year searching for the storyteller. Having chosen Madeleine Thien, we commissioned a scenario and thereafter a draft libretto. The Vancouver Foundation made a stupendous lead grant in support of this project, and this process. One year later, we began taking Maddie’s draft to multiple private and public workshops, with professional actors road-testing its language and structures. Translator Paul Yee joined to lead us in the incorporation of Hoisanese in the opera.”  

“Alice Ping Yee Ho was commissioned in 2020, and thereafter we held public music workshops — again in Chinatown venues, and with professional singers. Delayed by COVID, from concept to curtain took five years. CHINATOWN exists because of the inspired collaboration of Alice, Maddie, and Paul, and the many friends and artists who joined in generous support. We thank them all.” 

“For five nights in September 2022, at the Vancouver Playhouse, our audiences heard the results: a story of strength and resilience in the face of great adversity and loss. We believe this piece is a fitting tribute to those who lived and worked in Chinatown, for which they left everything. In this recording, we hope you will be as moved as were they—and we thank you for listening.”  

It is a timely, significant and often beautiful work that proves well worth the wait. The overwhelming strengths of the show are the singers, the orchestral ensemble, and Alice Ping Yee Ho’s enchanting score  –The Vancouver Sun 

Alice Ping Yee Ho is an award-winning Hong Kong–born Canadian composer known 

for her “distinctly individual” style and “organic flow of imagination.” A two-time Juno Award nominee and a recipient of the Dora Mavor Moore Award, Symphony Nova Scotia’s Maria Anna Mozart Award, Barlow Endowment Commissioning Prize, and Johanna Metcalf Performing Arts Prize, her works have been performed by ensembles across the globe, including the Toronto Symphony, Finnish Lapland Chamber Orchestra, Polish Radio Choir, Shanghai Philharmonic Orchestra, and Luxembourg Sinfonietta. 

One of Canada’s most acclaimed writers, Madeleine Thien was born in Vancouver. She is the author of four books of fiction, most recently Do Not Say We Have Nothing, which received the Giller Prize and the Governor General’s Literary Award for Fiction and was shortlisted for the Booker Prize. Her books have been translated into twenty-five languages, and her essays and stories can be found in The New Yorker, Granta, Brick, Times Literary Supplement, The New York Review of Books, and elsewhere. 

Paul Yee grew up in Vancouver’s Chinatown in the 1960s. He did volunteer projects there in the 1980s and worked as an archivist while doing an MA in Canadian history. He is a published author of over twenty works. His non-fiction includes Saltwater City: An Illustrated History of the Chinese in Vancouver; his fiction includes children’s books and stories for adults, including A Superior Man, published in 2015. Chinatown is his first opera. 

We acknowledge the support of the Canada Council for the Arts. 

About Canada Council for the Arts 

The Canada Council for the Arts contributes to the vibrancy of a creative and diverse arts and literary scene and supports its presence across Canada and around the world. The Council is Canada’s public arts funder, with a mandate to “foster and promote the study and enjoyment of, and the production of works in, the arts.” The Council’s grants, services, initiatives, prizes, and payments support Canadian artists, authors, and arts groups and organizations. This support allows them to pursue artistic expression, create works of art, and promote and disseminate the arts and literature. Through its arts funding, communications, research, and promotion activities, the Council fosters ever-growing engagement of Canadians and international audiences in the arts. The Council’s Public Lending Right (PLR) program makes annual payments to creators whose works are held in Canadian public libraries. The Council’s Art Bank operates art rental programs and helps further public engagement with contemporary arts through exhibition and outreach activities. The Council is responsible for the Canadian Commission for UNESCO, which promotes the values and programs of UNESCO to contribute to a future of peace, reconciliation, equity, and sustainable development. 

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MEDIA CONTACT:  
For more information/photos or to arrange interviews, please contact
Peggy Walt at peggy@leaf-music.ca

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Alice Ping Yee Ho: “Venom of Love”

A tale of serpent-demons and mortals entwined in forbidden romance, Venom of Love is set to be released September 18, 2020. From one of Canada’s most acclaimed composers, Alice Ping Yee Ho is the recipient of numerous national and international awards, including; the 2019 Johanna Metcalf Performing Arts Prize and is a two-time Juno nominee. Written as full length dramatic music for dance in 4 acts, Venom of Love is based on “Legend of the White and Green Snakes” a Chinese tale seeped in oral tradition and finally written down during the Ming dynasty more than 600 years ago. Canadian lyric coloratura soprano Vania Chan shares the tale of love, jealousy and betrayal being the active ingredients in a story of amazing transformations and ultimate redemption. Written for electronic tape, live soprano and percussion, 7 dancers, multimedia video and lighting design, Venom of Love was originally commissioned by Toronto’s Little Pear Garden Contemporary Dance Theatre in 2014 was directed and choreographed by Emily Cheung.

Hong Kong-born, composer Alice Ping Yee Ho is one of Canada’s most sought after composers of contemporary works. Critics have called her music dramatic and graceful, while praising its “organic flow of imagination,” “distinctly individual” style”, “colourful orchestration”, and “emotive qualities”. Influences evident in her proudly eclectic approach include Chinese folk and operatic idioms, Japanese Taiko , jazz,  pop culture, and other contemporary art forms. Her ongoing goal is to explore new musical styles that are provocative to the ears.

“Colors and tonality are two attractive resources to me: they form certain mental images that connect to audiences in a very basic way.” [AH]  

A twice JUNO Award Nominee (2015, 2018), she has an impressive discography released on the Centrediscs, Naxos, Marquis Classics, Blue Griffin, Electra, and Phoenix labels. She has four solo albums (Centrediscs/Naxos) devoted to music written for different genres: “Ming” for percussion, “Glistening Pianos” for two pianos, “The Lesson of Da Di” features her full length award winning opera, and “The Mysterious Boot” features chamber music for flute, cello, and piano. Her fifth album was recently released through Centrediscs/Naxos of her children’s opera The Monkiest King with the Canadian Children’s Opera Company. Her new project including a new opera CHINATOWN commissioned by City Opera Vancouver, on a libretto by Canadian renowned writer Madeleine Thien, opens in September, 2021 at the Vancouver Playhouse.

Ms. Ho holds a Bachelor of Music degree in composition with high distinction from Indiana University and a Master of Music degree in composition from the University of Toronto. Her teachers have included John Eaton (USA), Brian Ferneyhough(Germany), and John Beckwith (Canada). ​She is a noted classical pianist and an active advocate of contemporary music. She has performed in many new music festivals, including a solo piano recital recorded by CBC Radio 2 in which she premiered Tan Dun’s solo piano work “Traces II”. She now makes her home in Toronto. https://www.alicepyho.com/

Canadian lyric coloratura soprano Vania Chan received her Master of Music in Classical Voice from the Manhattan School of Music in New York, and graduated Summa Cum Laude from York University, Toronto, receiving a B.F.A. with Specialized Honours in Music. Her “gently shimmering coloratura” can be heard in the recording of the Dora Award winning opera THE LESSON OF DA JI (Toronto Masque Theatre), which received a critic’s choice review in Opera News, New York. She often performs with the Rezonance Baroque Ensemble, showcasing their collaborative program “Handel’s Heroines” at the Early Music Festival in Bloomington Indiana, in Toronto, Hamilton, and at the Richmond Hill Performing Arts Centre. https://www.vaniachan.com/

Venom of Love
Digital Release only
Release date: September 18, 2020
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