Tag: Composition

In honour of Remembrance Day and the 75th Anniversary of the liberation of the Netherlands, Canadian composer Jaap Nico Hamburgerpresents Chamber Symphonies Nos.1&2, featuring Ensemble Caprice and l’Orchestre Métropolitain de Montréal. While confronting serious and challenging themes, these works are imbued with hope and optimism.

Jaap Nico Hamburger is the Composer in Residence with Mécénat Musica in Montréal. His compositions include commissions from Turning Point Ensemble, Ensemble Caprice, the Jerusalem Baroque Orchestra, and an original contribution for the project ‘400 years of Dutch Keyboard Music’. He was recently commissioned by the Dutch Government and the United Nations’ International Court of Justice to compose a new concerto for harp and orchestra, to be premiered by Lavinia Meijer and the Royal Concertgebouw Orchestra in 2021. Other commissions include works for Discovery Channel, and broadcasting companies in the UK and the Netherlands. He is a Canadian Music Centre Associate Composer, President and CEO, Orange Music Inc., a Vancouver music production company; and, a former member of the Board of Directors of City Opera Vancouver.

Born in Amsterdam, The Netherlands, he started his musical education at the age of three, and studied piano with Ruben Lifschitz, Alexandre Hrisanide and Youri Egorov. He graduated from the Royal Sweelinck Conservatorium of Music, Amsterdam, The Netherlands, with a soloist degree in piano. He has lived in Canada since August 2000. This release follows the August 21, 2020 release of Jaap Nico Hamburger: Piano Concerto, on Leaf Music.

Chamber Symphony No. 1 “Remember to Forget”
Ensemble Caprice under the direction of Matthias Maute 
Produced by: Martha de Francisco 
Recorded in studio:  Église St-Augustin, Mirabel, QC  (17/11/2019 – 18/11/2019)

“Remember to Forget” is a phrase from Tenach, The Old Testament. The sentence alludes to the notion that doubt (“I should have…I could have…”), rather than being critical (“Where can I improve?”), is inherently self-destructive. We are not necessarily in control of the outcome of events, but that should not deter us from working hard and striving for the best, all toward the positives in life. “Remember to Forget” is a tone poem, using the colours and structures of sound to advance that story, inspired by the biography of György Ligeti (1923-2006).This symphony in two movements is an apostrophe to one of the great musical minds of the age. Ligeti’s own influences stretched back to the 15th century and the richness of polyphony, from folk inspirations and a drenched chromaticism through to jazz and polyrhythm of every description. His work is best known through the soundtrack for Stanley Kubrick’s 2001 – A Space Odyssey. This work is a metaphor of a train journey, moving from youth to catastrophe, and through survival to rebuilding, forgiveness, and ultimately to the lessons of the biblical Joseph: to live, work, build, create, and love to the best of your abilities, under all circumstances, every day. 

Chamber Symphony No. 2 “Children’s War Diaries”
 l’Orchestre Métropolitain de Montréal under the direction of Vincent de Kort 
Produced by:Misha Aster
Recorded live at the Violins of Hope concert: Maison symphonique de Montréal (02/11/2019)

“Children’s War Diaries” Five diaries of teenagers who were murdered during the Second World War inspired this piece. These children did not survive, but their diaries did. Twenty years after reading these diaries, composer Jaap Hamburger’s 89-year-old mother, Jannie Moffie-Bolle, published her autobiography “Een hemel zonder vogels” (“A sky without birds”). She too was a teenager at the outbreak of the Nazi war in Europe.  The book, among other things, describes her experiences in multiple Nazi death camps, including Auschwitz-Birkenau. In 2010, Jaap travelled with her to Israel on the occasion of the presentation of her book at Yad Vashem, the World Holocaust Memorial Center in Jerusalem. The architecture of the Children’s Memorial at Yad Vashem is uniquely sobering. It memorializes 1.5 million murdered children, approximately 95% of all Jewish children ages 0-18 years old in occupied Europe. This staggering number is what led Raphael Lemkin to introduce the term “genocide” in his 1944 landmark publication, Axis Rule in Occupied Europe. When Jaap – overwhelmed by the starkness of the Children’s Memorial – had left the building and stepped into the blazing Jerusalem sunlight, the contours of a new symphonic work came to mind, virtually complete. The composer went home and wrote it down. “Children’s War Diaries” is a symphony for chamber orchestra in five short movements.

Jaap Nico Hamburger: Chamber Symphonies Nos.1&2
Release date: Nov 6, 2020
Listen Now HERE

JaapHamburger.com

Breathing in the Shadows is the debut album from Iranian-Canadian composer, Saman Shahi, set to be released September 25, 2020 through Halifax-based label, Leaf Music. The album includes three song cycles, two of which are based on poetry by women from across the globe. The title cycle, “Breathing in the Shadows” tells stories of oppression through alienation, resistance, and self-actualization. Resonating with many communities that historically have lived through the experiences of these struggles, the poems have an inherent musicality, evocative imagery, and a powerful message of unity and hope. The poets represented in this cycle are Forough Farrokhzad (Iran), Carilda Oliver Labra (Cuba), Dora Gabe (Bulgaria), Zhai Yongming (China), and Titilope Sonuga (Nigeria). “Breathing in the Shadows” features Maureen Batt – Soprano and Tara Scott – Piano. This cycle was commissioned by Maureen Batt with the support of the Ontario Arts Council and premièred through the recital series Crossing Borders.

The second cycle “Orbit” is a work commissioned by tenor Fabián Arciniegas , set to the poetry of Serbian-Canadian Jelena Ćirić. Winner of the inaugural Canadian Amateur Musicians’ Association (CAMMAC) composition competition in 2019. Set within three movements, the poetry highlights the murky areas of human relationships, uncertainties and inner battles we all experience while interacting with others. “Orbit” features Fabián Arciniegas  – Tenor and Tara Scott – Piano. 

In the third song cycle “Songs of a Wandering Soul,” Saman explores his musical identity rooted in his Western Classical training, minimalism, Contemporary Art music, Progressive Rock, Jazz and Iranian traditional music.  The music leaps back and forth between these worlds much like an immigrant trying to figure out a new place to belong.  The poetry used in this cycle is drawn from Shahi’s teenage years where he was trying to navigate his new life in Canada with words in the early days of blogging. The work displaces the pulse constantly to create an inner sense of groove that changes from measure to measure. “Songs of a Wandering Soul” features Tiffany Hanus – Soprano, Saman Shahi – Piano, Peter Lutek – Woodwinds, Derek Gray – Percussion, Scott Peterson – Electric and upright bass, Natalie Wong – Violin and Cheryl Ockrant – Cello. 

‘Breathing in the Shadows’ is a collection of pieces that I have grown to embrace as some of my most authentic and honest work. I am so humbled to be surrounded by colleagues who believed in my work that enabled the coming to fruition of this album in such high quality and artistic finesse. – Saman Shahi 

Saman Shahi is an award-winning and published composer, pianist, conductor and educator based in Toronto. He’s active in classical music, new music, Iranian traditional music, rock and electronic music, and because of his constant activities in Canada and abroad he has become a sought after performer and composer. Saman’s compositions, including some of his short film scores have been performed in North America, South America, Europe and Asia. As a pianist and conductor, Saman has been an avid performer and advocate of new music in Toronto, and he regularly performs with a variety of Ensembles and musicians. Saman is an Affiliate Member of the Canadian League of Composers, Associate Composer at the Canadian Music Centre as well as a SOCAN member. He is also one of the founders and the executive director at the Iranian-Canadian Composers of Toronto, ICOT, a 7 year old art organization that bridges cultures through music and art. Saman is also an active member of the Circle music band, a rock fusion group in Toronto. He was appointed as the music director at Peterborough concert band in 2019. Saman also works as a composer-educator with the Canadian Opera Company.

Breathing in the Shadows
Release date: September 25, 2020
Pre-save/add HERE

SamanShahiMusic.com