Nathaniel Watson is a versatile artist who has performed successfully in a wide variety of musical styles. Highlights include Der Freischütz with the New York Philharmonic under Sir Colin Davis, Beethoven’s Ninth Symphony under Kurt Masur, and in Carnegie Hall with Sir Roger Norrington in the conductor’s debut concert in New York.
He appeared in the title role in the Boston Early Music Festival production of Cavalli’s Ercole amante in Boston, at Tanglewood, and at the Utrecht Festival in Holland, and was featured in the Salzburg Festival production of Weill’s Mahagonny. He has appeared as soloist with the orchestras of Boston, Baltimore, San Francisco, Los Angeles, Houston, Tokyo, Seattle, Santiago (Chile), Montréal, Québec, Vancouver, Calgary and Toronto. Recent seasons have included performances of Bach’s Christmas Oratorio with Nicholas McGegan and Philharmonia Baroque, Messiah with the National Symphony at the Kennedy Center, Mendelssohn’s Paulus and Mahler’s Eighth Symphony with L’Orchestre symphonique de Québec, and Handel’s Semele with Pacific Opera Victoria. Performances of Messiah with Tafelmusik in 2015 marked his 21st collaboration with the great Toronto ensemble.
Nathaniel Watson has recorded works by the American composers Samuel Barber, Philip Glass, Andrew Imbrie, and Claudio Spies, as well as premiering works by Mr. Spies, Miriam Gideon, Scott Lindroth, Ronald Perera, Lewis Spratlan, Chan Ka Nin and Earl Kim. He has been featured soloist in Ruth Fazal’s Oratorio Terezin, a work that has been performed in six countries, including Israel, and in Carnegie Hall.