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Leaf Music & City Opera Vancouver Present: “Chinatown”

(KJIPUKTUK) Alice Ping Yee Ho, City Opera Vancouver, and Leaf Music are proud to present Chinatown, a sweeping opera that tells the collective story of thousands of Chinese immigrants who left their homeland between the mid-nineteenth and twentieth centuries in search of a better life for them and their families. The first opera in Hoisanese and English and the first to fuse authentic Chinese folk dialects and cultures into the world of English opera, Ho’s Chinatown is a tribute to the legacy of the people who toiled under the promise of prosperity, and instead received abuse and hardship. 

Chinatown revolves around the intertwining lives of Saihin and Xon Pon, two young men from  Hoisan county in South China who have come to Canada in search of prosperity. We follow their story as they meet, work together, endure hardships and have families of their own. A collaboration between composer Alice Ping Yee Ho, librettist Madeleine Thien, and Hoisanese translator Paul Yee, Chinatown brings together decades of lived experience from thousands of Chinese immigrants in an intimate and emotionally arresting musical and dramatic soundscape. 

Ho says the opera is intended to be an artistic depiction of the realities facing early 20th century Chinese newcomers. “This album represents an important work that tells the stories and experiences of early Chinese immigrants. It’s clear by the standing ovations and positive reviews that the opera Chinatown is a beautiful and moving story of racism, resilience, and family.  I hope this album will inspire the audience the same way as it was imagined in the theatre – the experience of an epic journey of music and drama, both heart-wrenching and heart-warming.” 

Founding artistic director, Dr. Charles Barber says, “We conceived the idea for CHINATOWN in mid-2017. It was approved and budgeted by the Board, and so began its development. We spent a year searching for the storyteller. Having chosen Madeleine Thien, we commissioned a scenario and thereafter a draft libretto. The Vancouver Foundation made a stupendous lead grant in support of this project, and this process. One year later, we began taking Maddie’s draft to multiple private and public workshops, with professional actors road-testing its language and structures. Translator Paul Yee joined to lead us in the incorporation of Hoisanese in the opera.”  

“Alice Ping Yee Ho was commissioned in 2020, and thereafter we held public music workshops — again in Chinatown venues, and with professional singers. Delayed by COVID, from concept to curtain took five years. CHINATOWN exists because of the inspired collaboration of Alice, Maddie, and Paul, and the many friends and artists who joined in generous support. We thank them all.” 

“For five nights in September 2022, at the Vancouver Playhouse, our audiences heard the results: a story of strength and resilience in the face of great adversity and loss. We believe this piece is a fitting tribute to those who lived and worked in Chinatown, for which they left everything. In this recording, we hope you will be as moved as were they—and we thank you for listening.”  

It is a timely, significant and often beautiful work that proves well worth the wait. The overwhelming strengths of the show are the singers, the orchestral ensemble, and Alice Ping Yee Ho’s enchanting score  –The Vancouver Sun 

Alice Ping Yee Ho is an award-winning Hong Kong–born Canadian composer known 

for her “distinctly individual” style and “organic flow of imagination.” A two-time Juno Award nominee and a recipient of the Dora Mavor Moore Award, Symphony Nova Scotia’s Maria Anna Mozart Award, Barlow Endowment Commissioning Prize, and Johanna Metcalf Performing Arts Prize, her works have been performed by ensembles across the globe, including the Toronto Symphony, Finnish Lapland Chamber Orchestra, Polish Radio Choir, Shanghai Philharmonic Orchestra, and Luxembourg Sinfonietta. 

One of Canada’s most acclaimed writers, Madeleine Thien was born in Vancouver. She is the author of four books of fiction, most recently Do Not Say We Have Nothing, which received the Giller Prize and the Governor General’s Literary Award for Fiction and was shortlisted for the Booker Prize. Her books have been translated into twenty-five languages, and her essays and stories can be found in The New Yorker, Granta, Brick, Times Literary Supplement, The New York Review of Books, and elsewhere. 

Paul Yee grew up in Vancouver’s Chinatown in the 1960s. He did volunteer projects there in the 1980s and worked as an archivist while doing an MA in Canadian history. He is a published author of over twenty works. His non-fiction includes Saltwater City: An Illustrated History of the Chinese in Vancouver; his fiction includes children’s books and stories for adults, including A Superior Man, published in 2015. Chinatown is his first opera. 

We acknowledge the support of the Canada Council for the Arts. 

About Canada Council for the Arts 

The Canada Council for the Arts contributes to the vibrancy of a creative and diverse arts and literary scene and supports its presence across Canada and around the world. The Council is Canada’s public arts funder, with a mandate to “foster and promote the study and enjoyment of, and the production of works in, the arts.” The Council’s grants, services, initiatives, prizes, and payments support Canadian artists, authors, and arts groups and organizations. This support allows them to pursue artistic expression, create works of art, and promote and disseminate the arts and literature. Through its arts funding, communications, research, and promotion activities, the Council fosters ever-growing engagement of Canadians and international audiences in the arts. The Council’s Public Lending Right (PLR) program makes annual payments to creators whose works are held in Canadian public libraries. The Council’s Art Bank operates art rental programs and helps further public engagement with contemporary arts through exhibition and outreach activities. The Council is responsible for the Canadian Commission for UNESCO, which promotes the values and programs of UNESCO to contribute to a future of peace, reconciliation, equity, and sustainable development. 

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For more information/photos or to arrange interviews, please contact
Peggy Walt at

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Leaf Music, Lara Deutsch & Adam Cicchillitti Present: “Wanderlust”


(Halifax/Kjipuktuk, NS) Leaf Music, flutist Lara Deutsch, and guitarist Adam Cicchillitti are excited to release their new album, Wanderlust. Wanderlust is a collection of folk-inspired pieces that trace their heritage back through a variety of global folk music traditions. Conceived in the heart of the pandemic, flutist Lara Deutsch and classical guitarist Adam Cicchillitti have curated seven luscious pieces, each exploring classical music spanning the coasts of Japan to Newfoundland’s Celtic roots. The album will be released on August 25.

Flutist Lara Deutsch commented that “this album is reflective of the pandemic’s silver lining: being grounded inspired us to take listeners on a musical “world tour” when they couldn’t otherwise travel. It’s the first of many albums for our duo, as we’re committed to sharing lesser known (but amazing!) repertoire for flute and guitar with audiences everywhere.” Wanderlust stokes the fires of far-flung adventures residing in all of us. 

The duo will be celebrating the launch with live evening performances in Montreal, Ottawa and Halifax in September: Friday, September 8 at Salle Joseph-Rouleau (Jeunesses Musicales du Canada in Montreal), Tuesday, September 12 (allsaints event space, Ottawa), and Wednesday, September 27 (in partnership with Scotia Festival of Music, The Music Room, Halifax). Tickets for the Halifax performance go on sale on September 5 (,

Named one of 2020’s “Rising Stars” by BBC Music Magazine, flutist Lara Deutsch is a versatile soloist, chamber musician, and orchestral player known for her engaging warmth and ability to connect with audiences. Recipient of the $125,000 Prix Goyer for 2019-2020, Lara is an avid chamber musician: recent performance highlights include recitals for the National Arts Centre (NAC) and Facebook’s #CanadaPerforms initiative, Newport Classical (Rhode Island, USA), the Orchestre symphonique de Montréal’s Virée Classique, and Ottawa’s Music & Beyond Festival. Among her favourite collaborators are pianists Philip Chiu and Frédéric Lacroix, guitarist Adam Cicchillitti, and harpist Emily Belvedere, with whom she founded Duo Kalysta.  She has recorded two chamber music albums on the Leaf Music Label: Origins (2019, Duo Kalysta) and Night Light (2022, with Philip Chiu), both of which were named to Top 20 lists for their respective years by CBC Music. Lara performs on a 14k gold Haynes flute, generously loaned by Canimex Inc. of Drummondville, Québec. She is represented by Latitude 45 Arts.  

The renowned American magazine Classical Guitar called Montreal-born guitarist Adam Cicchillitti “a virtuoso at the top of his game” and CBC Music described him as an “ardent ambassador for classical guitar.” Adam has commissioned over two dozen new works since 2019 and recorded three albums with the Analekta record label. His album Focus, dedicated to new Canadian music for two guitars, was awarded “Classical Recording of the Year” at the East Coast Music Awards in 2021, and Intimate Impressions was nominated in the same category in 2022.  

Adam’s set a benchmark in classical guitar with his award-winning recordings, competition performances, arrangements, and teaching. He regularly collaborates with many of Canada’s most esteemed soloists and orchestras, including flutist Lara Deutsch, baritone Philippe Sly, bandoneonist Denis Plante, the Orchestre classique de Montréal and Forestare. He’s toured Canada several times with Prairie Debut, Debut Atlantic and Jeunesses Musicales. In 2022, his duo with guitarist Steve Cowan commissioned and premiered six new concertos for two guitars and the chamber orchestra, Thirteen Strings. They were awarded third prize in the Guitar Foundation of America’s most prestigious international guitar ensemble competition in 2021 and second place in the finals in New York this summer. Adam is only the second guitarist to win the grand prize of the Canimex concerto competition in Sherbrooke, Québec, and has been a finalist and multiple-prize winner in over a dozen national and international competitions. He is a specialist in child pedagogy, is the founder of the guitar school at Ottawa Suzuki Strings and holds a doctorate in music interpretation from McGill University. Adam is sponsored by Augustine Strings and plays a guitar by Sergei de Jonge. 

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada. 


Lara Deutsh & Adam Cicchillitti – Wanderlust

Release Date: August 25, 2023 
Physical/Digital Release 

For more, visit: 

For more information/photos or to arrange interviews, please contact Nivie Singh at

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Leaf Music, Dorian Bandy Present: “Lovers and Mourners”

Lovers and mourners: Variations and Sonatas from Seventeenth-Century Germany

(Halifax/Kjipuktuk, NS) Dorian Komanoff Bandy is thrilled to present Lovers and mourners: Variations and Sonatas from Seventeenth-Century Germany, his first record on Leaf Music, set to be released on August 18, 2023. Recorded at Église St-Augustin in Quebec, the album is an exploration of one of the most fertile periods for the development of violin writing and performing. Bandy draws on some of the periods’ most sombre, meditative works to deliver an album of refined elegance and measured delivery, featuring himself (baroque violin), Hank Knox (harpsichord) and Elinor Frey (viola da gamba). 

Lovers and Mourners focuses on three seventeenth century composer-performers: Johann Jakob Walther, Heinrich Biber, and Johann Georg Pisendel. Bandy guides the listener through a series of variation sets and themes, simultaneously offering faithful interpretations of the music while injecting his own unique touch. Speaking about the creation of the album, Bandy says, “These composers created a body of work that is by turns quirky, beguiling, heartfelt, and brazenly virtuosic.  It deserves far wider appreciation than it has so far received.” 

Dorian Bandy is a musicologist and performer specializing in the seventeenth, eighteenth, and early nineteenth centuries. He is the author of Mozart the Performer, as well as numerous academic articles.  He leads a vibrant career as a conductor, baroque violinist, and historical keyboardist, with a repertoire spanning four centuries and performances – acclaimed for their vitality, drama, and warmth — that have taken him to venues across Europe and North America, including London’s Wigmore and Cadogan Halls, Amsterdam’s Concertgebouw, and New York’s Symphony Space. This recording was made possible thanks to an SSHRC Development Grant. 

Leaf Music is an independent recording label based in Halifax, Nova Scotia, making and distributing high-quality classical music recordings by artists and composers from across Canada. Our growing catalogue of solo, orchestral, and chamber music is distributed by Naxos of America to the world’s most important music retailers, download providers, and streaming services. We are also a provider of professional audio and video production, post-production services and integrated music marketing and distribution in Canada.


Dorian Bandy – Lovers and Mourners: Variations and Sonatas from Seventeenth-Century Germany 

Release Date: August 18, 2023 
Physical/Digital Release 

For more visit: 

For more information/photos or to arrange interviews please contact Nivie Singh at

Lovers and mourners: Variations and Sonatas from Seventeenth-Century Germany

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Leaf Music, Frédéric Lambert, and Ali Kian Yazdanfar Present: “Iridescence”


Frédéric Lambert and Ali Kian Yazdanfar are thrilled to present Iridescence, their first record on Leaf Music set to be released on June 23, 2023. Recorded at Le Domaine forget de Charlevoix in Saint-Irénée, Québec, Iridescence is an opportunity to not only consider colours and details often hidden from view, but also to imagine how a change in perspective can lead to striking flashes of brilliance. Opening a window onto a world of prismatic possibility and potential, violist Frédéric Lambert and double bassist Ali Kian Yazdanfar lead the listener through five works that extend across genre and form, creating a listening experience that is as varied as it is reflective.  

The first piece, “Fisherstreet Duo”, was written by Evan Chambers as an homage to the tiny village of Doolin, Ireland, which is now a hub for lovers of traditional music from all over the world. “Thème varié” (1976), by Jean Françaix, is a virtuosic showpiece, intended to display the full tonal and technical range of the double bass. “Duo for Viola and Double Bass” (2010), by Gareth Wood introduces a personal dimension to the album. The piece was written expressly for Ali Kian Yazdanfar, and is intended as an arena in which the two performers can demonstrate their chemistry together. In manus tuas is based on a sixteenth-century motet by Thomas Tallis. While there are only a few slices of the piece that reflect exact harmonic changes in Tallis’s setting, the motion (or lack thereof) is intended to capture the sensation of a single moment of hearing the motet in the particular and remarkable space of Christ Church in New Haven, Connecticut. The final piece, Escenas del Sur (2008), by Efraín Oscher, is a tribute to the survivors of the dictators that ruled over 1960s South America. 

Speaking on the inspiration for the album, the duo says, “Iridescence is a chance for the public to consider the viola and double bass in a new light.  The rich and textured sound of each of these two instruments is perfectly suited to each other, and the character and sonority give a different perspective which colours the emotions evoked in the listener.” 

“As Iridescence exhibits a large range of contrasts – drama and lightheartedness, tension and bliss, tradition and modernity, we believe the unique choice of pieces holds a special relevance to the listeners of today. Our goal has always been that Iridescence might enrich the lives of those listening.  Whether through the hint of new perspectives and possibilities, a reminder of previous times, or just a thorough appreciation of the present, we hope this recording can foster a greater awareness and understanding of ourselves and the world around us.” 

One of the most prominent double bassists of his generation, Ali Kian Yazdanfar maintains an active career not only as principal double bass of the Orchestre Symphonique de Montréal, but also as a soloist, chamber musician, and pedagogue. Although he started playing the bass at seven years old, he didn’t take the usual music-school route to becoming a professional. In fact, his science and mathematics background led to a physics degree from Johns Hopkins University, and, directly upon graduating, he won his first audition to become a member of the Houston Symphony. He went on to win his next three auditions, for the National Symphony in Washington, D.C., for principal bass with the San Francisco Symphony, and for principal bass with the Orchestre Symphonique de Montréal, where he currently plays. 

Taking inspiration from his Iranian roots, he has commissioned and performed many new works for solo double bass. Recent highlights include the world premiere in 2018 of a new bass concerto by Behzad Ranjbaran, as well as a 2023 program centred around three new works for double bass and piano by Iranian composers that explore the complex experiences of those with roots in multiple cultures. 

Ali is also an associate professor at the Schulich School of Music at McGill University, and his former students hold posts in major orchestras of Canada, the United States, and Europe. He also presents master classes during the summer at Orford Music in the Eastern Townships, Quebec. In addition, he regularly appears at or has been on the faculty of festivals such as the National Orchestral Institute, the National Youth Orchestra of the United States (NYOUSA), Le Domaine Forget, the Chautauqua Institute, and Bass Club (England). He is often invited to give master classes worldwide; some appearances include the Juilliard School, the New World Symphony, the Manhattan School of Music, the Curtis Institute, the Sydney Conservatorium, the Chicago Civic Orchestra, the University of Southern California, the Peabody Institute, and Bass Europe congresses in Prague and Copenhagen. 

Frédéric Lambert has a doctorate in viola performance from McGill University, where his advisor was André Roy. His further development as a performer led him to play for masters such as Robert Vernon, James Dunham, Steven Dann, Bruno Pasquier, Régis Pasquier, and Ani Kavafian. He is regularly invited to join eminent ensembles such as Les Violons du Roy, the Société de musique contemporaine du Québec, and the Orchestre Symphonique de Montréal. Frédéric is a founding member of the Lloyd Carr-Harris String Quartet. In 2005, the quartet triumphed at the Fischoff National Chamber Music Competition, winning not only the Gold Medal in the Senior String Division, but also the Grand Prize. The quartet then played several concerts in France, England, Italy, the United States, Australia, and Canada. 

Mr. Lambert joined the Molinari Quartet in 2007. The quartet has given itself the mandate to perform twentieth- and twenty-first-century repertoire for string quartet; to commission new works; and to initiate discussions between musicians, artists, and the public. A recipient of twenty-four Opus Prizes awarded by the Conseil québécois de la musique for musical excellence on the Quebec concert stage, the Molinari Quartet has been described by the critics as an “essential” and “prodigious” ensemble and even “Canada’s answer to the Kronos or Arditti Quartet.” The Molinari Quartet has established itself as one of Canada’s leading string quartets. Its recordings on the ATMA Classique label have received unanimous international critical acclaim, including being selected two times as Editors’ Choice in Gramophone magazine and rave reviews in The Strad, Fanfare, and Diapason, among others. Its recording of the complete György Kurtág quartets received a Diapason d’or in December 2016 and a prestigious Echo Klassik award in July 2017. 

Frédéric is passionate about teaching. He is a lecturer for the Schulich School of Music at McGill University and teaches violin and viola at Université du Québec à Montréal. For more than a decade, he was a cultural columnist for Ici Radio-Canada Première, along with Catherine Perrin and Stéphan Bureau. In January 2022, he launched his podcast, La prescription avec Dr Fred Lambert, a weekly cultural program that is available on all platforms. Frédéric Lambert is the principal violist in the Orchestre Symphonique de Laval. 


Frédéric Lambert and Ali Kian Yazdanfar 

Release Date: June 23, 2023 

Physical/Digital Release 

MEDIA CONTACT: Andrew Brown | 


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Leaf Music & Charles Hamann Present: “Canadian Scenes”

Charles “Chip” Hamann is thrilled to present Canadian Scenes, his second solo record with pianist Frédéric Lacroix and their first record with Leaf Music. Recorded over four days at the Isabel Bader Centre for Performing Arts in Kingston, ON, Canadian Scenes is comprised of five works commissioned works between 2009 and 2022 and features a broad array of compositional flavours and styles. Intent on creating new repertoire for oboe and piano, Hamann recruited some of his favourite composers to provide pieces for Canadian Scenes, whose contributions helped the record become a sweeping sketch of Canadian compositional talent and identity.   

Hamann encouraged his composers to draw on Canada’s natural landscapes for inspiration as they began writing their pieces. Harnessing their unique connections to nature and filtering it through the Canadian lens has produced five works that are at once deeply personal and nationally collective. The works featured on this album also reverberate differently when listened to in a post-Covid world. Themes of isolation, loneliness, and grief are heard seeping through the lines. 

Speaking on what “Canadian Scenes” represents to Hamann as an artist, he says, “I am thrilled to present five incredible new oboe pieces inspired by Canada and nature. Each work reflects the challenges of life during the time of the Covid pandemic filtered through five vibrant and unique compositional voices. These works are destined to enrich the canon of oboe recital repertoire and reflect a moment when solo and small chamber works took on outsize importance for all musicians.”  

“Having approached each composer myself to create a new work over the span of a few years, my wish is that these new pieces will resonate broadly, and eventually be featured in concerts, recitals, and competitions in Canada and abroad—the classics of tomorrow. I hope listeners will be emotionally touched by the music and think about their relationships to nature, art, and life in Canada in the 21stCentury.”  


Heralded for the “exquisite liquid quality” of his solo playing (Gramophone), Charles “Chip” Hamann was appointed to the principal oboe chair of Canada’s National Arts Centre Orchestra in 1993 at the age of 22. Mr. Hamann has also served as guest principal oboe with the Chicago Symphony Orchestra, London’s Royal Philharmonic Orchestra, the Vancouver Symphony Orchestra, and Quebec’s Les Violons du Roy.  

Mr. Hamann’s solo debut album, the double CD collection Canadian Works for Oboe and Piano with pianist Frédéric Lacroix, was released in 2017 on the Centrediscs label and his playing was lauded for “well-rounded tone, sensitive phrasing and…breathtaking sustained tones” (The Whole Note) and “exquisite musicianship.”(The Double Reed) He and Mr. Lacroix have presented solo recitals across Canada and the United States and both teach at the University of Ottawa School of Music, where they have collaborated closely together with the oboe studio for many years. Mr. Hamann has commissioned numerous solo works from leading Canadian composers and continues to champion new repertoire. 

With the NAC Wind Quintet, Charles Hamann’s performances of music for wind instruments by Camille Saint-Saëns with pianist Stéphane Lemelin for the Naxos label, including the op. 166 Oboe Sonata, won Gramophone Magazine’s Editor’s Choice award in 2011. Mr. Hamann was also featured in J.S. Bach’s Concerto for violin and oboe BWV 1060 with Pinchas Zukerman on NACO’s 2016 Baroque Treasury album for Analekta that earned him praise as a “superb colleague” (Gramophone) and for “a gorgeous, expressive sound.” (Ludwig van Toronto

Charles Hamann has appeared as concerto soloist with Les Violons du Roy, the Alberta Baroque Ensemble, Lincoln’s Symphony Orchestra in Nebraska, the Yamagata Symphony Orchestra, and Ottawa’s Thirteen Strings. He has appeared many times with NACO, both in Ottawa and on tour, in major concertos including Bach, Mozart, Strauss, and Vaughan-Williams. 


Charles Hamann ~ Canadian Scenes 

Release Date: June 9, 2023 

Digital Release 

MEDIA CONTACT: Andrew Brown | 

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Leaf Music and Maryse Legault Present “Around Baermann”

Maryse Legault is thrilled to present her debut album, Around Baermann, featuring works written by and for the nineteenth-century virtuoso Heinrich Baermann, including masterpieces dedicated to him by his friend and collaborator Carl Maria von Weber. Performed alongside her accomplice Gili Loftus on fortepiano, Around Baermann is Legault’s love letter to one of the most formative players and developers of early clarinet technique and repertoire

Speaking on the creation of the album, Legault says, “By choosing to make my recording debut with a project around one of the most important and influential clarinet virtuosi, I wanted to make a strong impression as a daring and imaginative performer. The repertoire chosen for this recording is particularly colourful and challenging, especially when played on historical clarinet. My goal was also to program some pieces that have never been recorded before, or never on period instruments, to be able to make a relevant contribution to the historical clarinet catalogue of albums available today.” 

Known for his generosity and kind demeanour, Baermann built his reputation throughout Europe by touring extensively, performing Weber’s works as well as his own compositions. Considered an accomplished composer, he conceived works featuring the clarinet in various orchestrations. He developed a particularly lyrical clarinet language, obviously influenced by his accomplice Weber but also by his wife, the opera singer Helen Harlas. 

Maryse Legault received her master’s degree at the Koninklijk Conservatorium Den Haag in June 2017, specializing in historical clarinet performance in the studio of Eric Hoeprich. Maryse had the opportunity to perform with many ensembles and under the direction of many conductors, including Alexander Weimann, John Butt, Teodor Currentzis and François-Xavier Roth. 

Maryse Legault 

Release Date: June 2, 2023 

Physical/Digital Release 

MEDIA CONTACT: Andrew Brown | 

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Leaf Music, Peter Takács, and Sibbi Bernhardsson Present: “Schubert: Three Sonatas for Piano and Violin, Op. 137”

American Pianist Peter Takács and Icelandic Violinist Sibbi Bernhardsson are excited to present “Schubert: Violin Sonatas”, their first collaboration together, and their first release on Leaf Music. Recorded in the spring of 2020 at the Oberlin Conservatory of Music, Schubert: Three Sonatas for Piano and Violin, Op. 137 is a rousing rendition of some of Schubert’s most lively yet least known compositions. Largely unknown at the time of Schubert’s death, the Sonatas for violin and piano were composed during a prolific two-month span in March–April of 1816.  

In addition to completing his Fourth Symphony (“Tragic”) during this creative outpouring, the nineteen-year-old penned some two dozen songs and a twelve-movement Stabat Mater (D. 383) for choir and orchestra. Schubert himself was a capable violinist (and violist) and had already written a significant body of work for strings, but this was his first foray into the violin sonata proper. 

Regarding the album and his collaborator, Takács says, “It was a delight working with Sibbi on this album. He is a master of his craft and a consummate professional. I think we’ve captured the essence of Schubert’s violin sonatas on this recording, and I’m thrilled to be able to share it with those who will appreciate its depth and breadth.” 

Hailed as “a marvellous pianist” by the New York Times, Peter Takács has established himself as a distinguished performer, teacher, and lecturer. Winner of the William Kapell International Competition, he has appeared in recital, chamber music, and with orchestra in the United States, Europe, and Asia. He has given master classes throughout the world and has been an adjudicator in many prestigious international competitions. In 2015-16, he inaugurated a new recital series entitled “Key Pianists”, performing three all-Beethoven programs at Weill Recital Hall at Carnegie Hall. His recording of the complete Beethoven Piano Sonatas was released on the Cambria label in July 2011 to critical acclaim. He is Professor of Piano at the Oberlin Conservatory of Music, where he has been teaching since 1976. In the Beethoven 250th anniversary year 2020, in recognition of Mr. Takács’s achievements, Oberlin Conservatory received a generous gift to establish a Peter Takács/Beethoven Piano Sonata Prize, to be awarded annually to a piano student selected for outstanding Beethoven interpretation. His 2022 release of the complete Beethoven piano sonatas on the high-resolution platform nativeDSD was voted Album of the Year. 

Icelandic violinist Sibbi Bernhardsson joined the Oberlin Conservatory faculty in 2017 after performing for the previous 17 years with the Pacifica Quartet, with which he won a Grammy Award for Best Chamber Music Performance, Musical America Ensemble of the Year honors, and the Avery Fisher Career Grant. As a member of the Pacifica Quartet, Bernhardsson appeared in more than 90 concerts worldwide each year, including engagements in Wigmore Hall (London), the Vienna Konzerthaus, Concertgebouw (Amsterdam), Suntory Hall (Tokyo), Alice Tully Hall and Carnegie Hall (New York), and other major venues. He has performed at the Edinburgh Festival, Ravinia, Music@Menlo, and the Reykjavík Arts Festival, and has collaborated with Menahem Pressler, Yo-Yo Ma, Jörg Widmann, Lynn Harrell, Leon Fleisher, the Emerson String Quartet, Johannes Moser, and members of the Guarneri and Cleveland quartets.  


Release Date: April 21, 2023 

For more information/photos or to arrange interviews please contact Peggy Walt, (902) 422-5403 (office) or (902) 476-1096 (cell). 

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Duo Oriana and Leaf Music Present: “How Like a Golden Dream”

Duo Oriana is thrilled to present How Like a Golden Dream, their first record on Leaf Music set to be released on March 17, 2023. Recorded at Humbercrest United Church in Toronto of October of 2022, How Like a Golden Dream is a reflection on the ways people have communed with the night-time throughout history. Soprano Sinéad White and lutenist Jonathan Stuchbery lead the listener through old Irish meditations and English Renaissance melodies, lingering on the nature of night, darkness, and the stories and rituals that have emerged out of the human’s relationship with night-time.

Our modern world makes it easy to forget the importance night-time once held, both as a practical, sensory depriving event, as well as the symbolism and connotations that attached themselves to it for millennia. On this record, White and Stuchbery endeavour to rest in the perspectives of these early people and to inhabit the daily descent into fear, hope, and prayer as the light fades away.  

Part of the inspiration for this record comes from the duo’s desire to inject previously unearthed or largely disregarded material into the modern spotlight. Speaking on the ways in which this music is still relevant today, Stuchbery says, “Part of the wonder of approaching these old folk songs is that the composer, arranger, and performer at any point in the song’s existence could be any and all of the people who have ever sung it—including ourselves”.  

Soprano Sinéad White and lutenist Jonathan Stuchbery are a Toronto based duo breathing life into song traditions that span centuries and evolve in the present day. Both are specialists in the performance of renaissance and baroque music and first started working together in the early music scene in Toronto. The desire to keep making music during the most restricted days of the COVID-19 pandemic brought them together as a duo for the first time to collaborate virtually for a recording and video of an old Irish lullaby. This led them to assemble a program of music from Ireland, Scotland, and England, which reflected their own respective heritages. A film version of this concert is available online presented by Humbercrest United Church as part of their 2021 summer concert series. They are 2022-23 Artists in Residence at St. James Cathedral in downtown Toronto, where they will be presenting concerts, workshops, and integrating their music into cathedral worship.  

White and Stuchbery both have extensive experience in the discipline of historical performance. White is currently a DMA student at the University of Toronto and Stuchbery a recent graduate of the Masters in Interpretation of Early Music at ESMUC in Barcelona. Their formation in this field grounds them in performance practice, yet also inspires them to creativity with new arrangements and compositions. The duo are also actively working to expand the repertoire for lute and voice, through research of little known historical sources and in the composition of new music. They can also be heard together in larger ensemble contexts, such as with the indie early music company Aureas Voces, Tafelmusik, or Theatre of Early Music. 

Duo Oriana ~ How Like a Golden Dream 

Release Date: March 17, 2023 

Physical/Digital Release 

MEDIA CONTACT: Andrew Brown | 

How Like a Golden Dream

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David Rogosin and Leaf Music Present: “Theme: Variation”

Theme : Variation 

David Rogosin is thrilled to present Theme : Variation, his third record on Leaf Music set to be released on March 3, 2023. Theme : Variation is an exploration of the many ways in which a musical theme or idea can be varied and transformed. The idea for this album was born out of Rogosin’s fascination with variation and his desire to chronicle specific keyboard works in variation form.  

Theme : Variation traces an arc spanning 400 years of composition, beginning with Orlando Gibbons’ The Italian Ground ca. 1605 and culminating in Variations on a Fantasia of J.S. Bach (2017), an original work from Rogosin’s colleague and friend Kevin Morse. The result is an album whose explorative zeal is matched by its sweeping scope.  

Theme : Variation sees Rogosin navigate through hundreds of years of compositional variation with aplomb. The liner notes, found in the accompanying booklet and written by Rogosin, are an indispensable companion as you listen through the record. Rogosin meticulously explains the variations and technical underpinnings of each track while highlighting important or noteworthy morsels for the discerning listener to catch. Interspersed with technical explanations are personal asides, offering insights and anecdotes surrounding his relationships with the compositions. 

Pianist David Rogosin has performed across Canada, the American Midwest, the Caribbean, and France. Praised for the brilliance, clarity, and passion of his playing, he is highly regarded for his solo recitals and his chamber music collaborations. He has a particular passion for the two-piano repertoire. Rogosin has two previous solo recordings: Incandescence, featuring the music of Messiaen, Dallapicolla, Bartók, and Brahms, and Evocation, featuring the music of Scarlatti, Haydn, Albéniz, Mompou, Ravel, and the Canadian composers François Morel and Ann Southam. David Rogosin is Professor of Music at Mount Allison University in Sackville, NB, where he has taught since 2001. Aside from teaching piano and related classical topics, he also teaches World Music and Jazz Improvisation. 

David Rogosin  


Theme : Variation  

Release Date: March 3, 2023 

MEDIA CONTACT: Andrew Brown | 

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VC2 Releases new album: “I and Thou”

VC2 cello duo are thrilled to announce the release of their new album, I and Thou, set for release on February 10, 2023. I and Thou is the duo’s second full-length album, and the first to feature a host of special guests, both in performance and composition, with each delivering a special contribution to the record. I and Thou’s central themes are our relationships with each other and the world around us. Derived from a central tenant of Martin Buber’s philosophy, the expression “I and Thou” refers to the idea that human being’s primary source of meaning is found in relationships. The composers and performers on I and Thou are those with whom VC2 share a special relationship.

I and Thou feature a number of guest composers, including Jocelyn Morlock (The Violet Hour), Vincent Ho (Heist 2), Laura Sgroi (Discord), Chris Paul Harman (Suite for Two Cellos), Youell Domenico (Duet for Two Cellos), Kelly-Marie Murphy (Final Glimpse), and Kati Agócs (violoncello Duet  “I and Thou” 1. With dignified elegance 2. With great tenderness).  

Speaking on the themes of the album, cellist Bryan Holt says, “Since the album deals with relationships, we decided to feature several composers who have played a pivotal role in our development as VC2.” Cellist Amahl Arulanandam adds, “There are so many different sound worlds you’re going to hear, all of these composers have a very unique voice. But, the one thing you can expect to hear is a lot of cello!” 

VC2 cello duo is an innovative cello duo ensemble that captivates audiences through their performances of classical masterworks, unknown gems and boundary pushing music. Comprised of cellists Amahl Arulanandam and Bryan Holt, CBC Radio says VC2 is “a tight unit, with excellent intonation and expression.” They present artistically challenging, yet accessible programs in venues ranging from intimate cabarets to Roy Thomson Hall. 

VC2 ~ I and Thou 

Release Date: February 10, 2023 

Physical/Digital Release 

MEDIA CONTACT: Andrew Brown |