For over 30 years the Saint John String Quartet [SJSQ] has stood among Canada’s leading chamber music ensembles. The stylistic and energetic troupe is highly sought after for special collaborations within different musical genres – a reflection of their versatility and flexibility. From their sixth recording Canadian Hits: Unplugged, the ensemble takes us on a visual journey through Stan Rogers iconic “Northwest Passage”.
Through the depths of a lush forest canopy to the cliffs overlooking the Bay of Fundy, video director – Lauchlan Ough highlights the beauty of New Brunswick, Canada perfectly while SJSQ effortlessly serenades us with one of Canada’s best-known folk songs. The music is fittingly paired with the dramatic nature landscape filmed at Minister’s Face Nature Reserve overlooking the Kennebecasis River and the wide-open coastline of the Bay of Fundy. All being captured at dawn and dusk and creatively paralleled with the dense harmonic climaxes and expressions of the music.
Saint John String Quartet (violinists David Adams and Danielle Sametz, violist Christopher Buckley and cellist Sonja Adams) has stood among Canada’s leading chamber music ensembles for over 30 years. Renowned for their flexibility, SJSQ is equally comfortable collaborating with blues artists and rock superstars as with its own performances of Classical masterworks.
SJSQ performs over 125 concerts annually and serves as musicians-in-residence for Symphony New Brunswick and the University of New Brunswick. They have performed for many heads of state and at prestigious venues in Canada, the United States, Europe, Japan, Hong Kong, China, and in October 2019, South America.
Credited with numerous recordings including their sixth and most recent Canadian Hits: Unplugged. Previous albums have earned a Juno nomination (Classical Composition of the Year) and won an East Coast Music Award (Best Classical Album of the Year) and a Music NB award (Best Album of the Year). Their albums feature innovative works and under-appreciated classical gems.
Recognized for many ground-breaking achievements, including their profound contributions to musical development in New Brunswick, the SJSQ presented the first chamber music concert ever broadcast online.
SAINT JOHN STRING QUARTET Follow SJSQ on FACEBOOK WATCH AND SHARE“NORTHWEST PASSAGE”HERE
In honour of Remembrance Day and the 75th Anniversary of the liberation of the Netherlands, Canadian composer Jaap Nico Hamburgerpresents Chamber Symphonies Nos.1&2, featuring Ensemble Caprice and l’Orchestre Métropolitain de Montréal. While confronting serious and challenging themes, these works are imbued with hope and optimism.
Jaap Nico Hamburger is the Composer in Residence with Mécénat Musica in Montréal. His compositions include commissions from Turning Point Ensemble, Ensemble Caprice, the Jerusalem Baroque Orchestra, and an original contribution for the project ‘400 years of Dutch Keyboard Music’. He was recently commissioned by the Dutch Government and the United Nations’ International Court of Justice to compose a new concerto for harp and orchestra, to be premiered by Lavinia Meijer and the Royal Concertgebouw Orchestra in 2021. Other commissions include works for Discovery Channel, and broadcasting companies in the UK and the Netherlands. He is a Canadian Music Centre Associate Composer, President and CEO, Orange Music Inc., a Vancouver music production company; and, a former member of the Board of Directors of City Opera Vancouver.
Born in Amsterdam, The Netherlands, he started his musical education at the age of three, and studied piano with Ruben Lifschitz, Alexandre Hrisanide and Youri Egorov. He graduated from the Royal Sweelinck Conservatorium of Music, Amsterdam, The Netherlands, with a soloist degree in piano. He has lived in Canada since August 2000. This release follows the August 21, 2020 release of Jaap Nico Hamburger: Piano Concerto, on Leaf Music.
Chamber Symphony No. 1 “Remember to Forget” Ensemble Caprice under the direction of Matthias Maute Produced by: Martha de Francisco Recorded in studio: Église St-Augustin, Mirabel, QC (17/11/2019 – 18/11/2019)
“Remember to Forget” is a phrase from Tenach, The Old Testament. The sentence alludes to the notion that doubt (“I should have…I could have…”), rather than being critical (“Where can I improve?”), is inherently self-destructive. We are not necessarily in control of the outcome of events, but that should not deter us from working hard and striving for the best, all toward the positives in life. “Remember to Forget” is a tone poem, using the colours and structures of sound to advance that story, inspired by the biography of György Ligeti (1923-2006).This symphony in two movements is an apostrophe to one of the great musical minds of the age. Ligeti’s own influences stretched back to the 15th century and the richness of polyphony, from folk inspirations and a drenched chromaticism through to jazz and polyrhythm of every description. His work is best known through the soundtrack for Stanley Kubrick’s 2001 – A Space Odyssey. This work is a metaphor of a train journey, moving from youth to catastrophe, and through survival to rebuilding, forgiveness, and ultimately to the lessons of the biblical Joseph: to live, work, build, create, and love to the best of your abilities, under all circumstances, every day.
Chamber Symphony No. 2 “Children’s War Diaries” l’Orchestre Métropolitain de Montréal under the direction of Vincent de Kort Produced by:Misha Aster Recorded live at the Violins of Hope concert: Maison symphonique de Montréal (02/11/2019)
“Children’s War Diaries” Five diaries of teenagers who were murdered during the Second World War inspired this piece. These children did not survive, but their diaries did. Twenty years after reading these diaries, composer Jaap Hamburger’s 89-year-old mother, Jannie Moffie-Bolle, published her autobiography “Een hemel zonder vogels” (“A sky without birds”). She too was a teenager at the outbreak of the Nazi war in Europe. The book, among other things, describes her experiences in multiple Nazi death camps, including Auschwitz-Birkenau. In 2010, Jaap travelled with her to Israel on the occasion of the presentation of her book at Yad Vashem, the World Holocaust Memorial Center in Jerusalem. The architecture of the Children’s Memorial at Yad Vashem is uniquely sobering. It memorializes 1.5 million murdered children, approximately 95% of all Jewish children ages 0-18 years old in occupied Europe. This staggering number is what led Raphael Lemkin to introduce the term “genocide” in his 1944 landmark publication, Axis Rule in Occupied Europe. When Jaap – overwhelmed by the starkness of the Children’s Memorial – had left the building and stepped into the blazing Jerusalem sunlight, the contours of a new symphonic work came to mind, virtually complete. The composer went home and wrote it down. “Children’s War Diaries” is a symphony for chamber orchestra in five short movements.
Jaap Nico Hamburger: Chamber Symphonies Nos.1&2 Release date: Nov 6, 2020 Listen Now HERE